I was delighted to be featured in Words Lightly Spoken, a podcast of poetry from Ireland, this week. I introduced and read my poem ‘Small Things’ which is dedicated to Catherine Corless and is published in the anthology, Days of Clear Light, celebrating 40 years of Salmon Poetry and its founder Jessie Lendennie.
You can access the podcast at the following links:
Thursday 29th April 2021 is Poetry Day Ireland and I’m delighted to be hosting an event on behalf of South Dublin Libraries. I’ll be reading alongside poets, Michael J. Whelan and Christine Broe and chatting about creativity and poetry in the current climate. Tickets are free but please book them in advance here: https://www.eventbrite.ie/e/poetry-day-ireland-south-dublin-libraries-local-voices-tickets-148784401149?aff=ebdsoporgprofile
Michael J. Whelan
Michael J. Whelan is a historian and soldier-poet living in Tallaght, South Dublin, Ireland. His debut collection Peacekeeper was published in 2016 and his second collection Rules of Engagement in 2019 both Doire Press. For more information:
Christine Broe has published two books of poetry Solas Sólás and Lifting Light. She is a member of Rathmines Writers Group. She won the Trócaire Poetry Prize in 2019 with her poem ‘The Kerchief’ and was nominated for the An Post Poem of the Year 2019 with the same poem. Her film, Bog Meditation, about her sculpture and poetry won an award in Hollywood independent film festival and is to be shown at Bali film festival later this year.
Brian Kirk is a poet and writer
from Dublin, Ireland. His first poetry collection After The Fall was published by Salmon Poetry in 2017. His poem
“Birthday” won the Listowel Writers’ Week Irish Poem of the Year at the An Post
Irish Book Awards 2018. He was awarded a bursary from the Arts Council of
Ireland in 2020 to write and film a sequence of formal poems on the Covid 19
pandemic. His short fiction chapbook It’s Not Me, It’s You won the
Southword Fiction Chapbook competition and was published in 2019 by Southword
Editions. He blogs at www.briankirkwriter.com.
Freedom in Constraint is a sequence of formal poems focusing on the themes of isolation and social distancing and the wider issues and challenges to community and family arising out of the current Covid 19 pandemic.
“Metaxu” is the tenth poem in the sequence and the form this time is rhyming couplets. I came across the notion of metaxu when I was reviewing a poetry collection late last year. The concept appears in a range of writings, some religious, but is probably most notably espoused by the philosopher, Simone Weil.
Considering man’s relationship with God, she writes:
” Two prisoners whose cells adjoin communicate with each other by knocking on the wall. The wall is the thing which separates them but it is also their means of communication. It is the same with us and God. Every separation is a link. “
In the same way I was struck by the way we have been living at a distance this last year and yet there is a strong sense of community, mutual support and connection.
Once again, the film was made by my good friend Pete McCluskey and he also delivers the poem with perfect pacing. The space he allows around the words here is very well controlled I think. He imposes a break before the final four couplets which adds I think to the impact of closing lines of the poem.
I thought the end of 2020 might see the end of the sequence, but I think we might continue for a little longer. It seems only fitting that we should in the circumstances.
Until the next time, enjoy the poems and stay safe!
Brian Kirk
Dublin
22nd November 2020
Acknowledgements
Freedom in Constraint is a sequence of formal poems responding to life during the Covid 19 crisis and is made with support from the Arts Council of Ireland / An Comhairle Éalíon’s Covid 19 Response Award.
Every year around this time I compile a roundup of
what I’ve done from a writing point of view during the old year. In many ways
this year has been like no other, but I’ve been lucky in that I’ve managed to
continue to write and publish new work throughout the year. Thanks to the
support of family and writer friends I’ve been able keep going in this time of worry
and uncertainty.
One of the main things I did this year was enabled by
a Covid 19 bursary from the Arts Council. To date I have written twelve formal
poems as part of a sequence dealing with the effects on family, the individual
and community in coping with the restrictions imposed as part of dealing with
the pandemic. I’ve been lucky to have my daughter, Martha, and my good friend,
Pete McCluskey, making films for these new poems throughout the year. So far
there are nine poetry films which can be viewed on YouTube.
Here’s a rundown of everything writing-related that
happened for me in 2020, a year in which I published three new short stories
and fourteen poems.
My short story Do You Play County? was shortlisted for the Doolin Short Story Prize in January.
In April I was awarded an Arts Council Bursary to write a sequence of formal poems focusing on the theme isolation and impacts on community and family arising out of the Covid-19 pandemic. The poems with accompanying films began appearing on my blog and other social media in June 2020.
My short story Do You Play County?was published at Fictive Dream in November 2020.
My short story The Tourist was shortlisted for the Bridport Prize 2020 in October.
In December I was granted an Arts Council Professional Development Award to take up an eight-month novel writing course with Faber Academy in January 2021.
Although actual readings were out of the question this
year, I did a number of virtual readings including The Holding Cell in April, launch
of Skylight 47 in July, North West Words in August, Fiction at The Friary in
October, readings from The Music of What Happens in November, Ó Bhéal
Winter Warmer in November and the launch of 14 Magazine in December.
Bray Literary Festival went ahead as a purely online
festival and was a big success with high viewer numbers thanks to sterling work
by founder and Director, Tanya Farrelly and the rest of the committee: David
Butler, Nessa O’Mahony, Phil Lynch, Edward O’Dwyer and myself. Special mentioned
needs to be given to Peter Salisbury whose technical skill and expertise gave life
to a festival which would otherwise have died in this challenging year. The
committee has decided to take a break in 2021 and Bray Literary Festival will
return in 2022.
I read so much this year and enjoyed a good portion of it, but I’ve limited my choices of books of the year to just three, one in each category. My novel of the year was the wonderfully expansive story of a life and art Oona (Lilliput Press) by Alice Lyons. For short story collection I chose Almost the Same Blue (Doire Press) by John O’Donnell for the range and detail of the stories. For poetry I chose Some Lives (Dedalus Press) by Leeanne Quinn, for the control and sureness of voice and that wonderful long title poem.
Plans for 2021
In 2021 I hope to find a publisher for my short story
collection What Do You Actually Want? I’m also working towards finalising
my second poetry collection (title yet to be decided). Work is well underway on
this now and I hope to publish more new poems during the coming year which will
form part of the manuscript. I plan to bring my formal poetry film sequence Freedom
In Constraint to a close in early 2021. Again, thanks to the Arts Council
for funding this project. To date I have written twelve poems, nine of which
have been filmed so far. I expect there will be fifteen when the sequence is
complete.
My main area of work this year will be on my novel in progress, working title Riverrun. I received a Professional Development Award from the Arts Council in December to cover the cost of an online novel writing course with the Faber Academy. The course runs from January to September 2021 and I’m hoping it will give me the tools to make my novel as good as it can be. I see it as a long-term investment also as I’m sure the techniques and skills I learn will stand to me as I take on further writing projects in the future. A very exciting prospect!
Finally, this year has been a peculiar and challenging
year in many ways. I know I’ve been lucky and I’m thankful for that. I hope for
all our sakes that our lives can return to something like normality during 2021.
Freedom in Constraint is a sequence of formal poems focusing on the themes of isolation and social distancing and the wider issues and challenges to community and family arising out of the current Covid 19 pandemic.
“Letting Go” is the ninth poem in the sequence. The form this time is Ottava Rima, another Italian form, and one favoured by Dante. As we move towards winter, this poem considers the passing of the summer and the approach of autumn living with the restrictions we’ve been burdened with in this peculiar year. Autumn was always my favourite season, partly because of the colours of nature but also the sense of a settling down to winter which is peculiarly attractive for those of us who quite like staying home.
Again, the film was made by my good friend Pete McCluskey and he also delivers the poem with perfect pacing. The chosen sound track plays an important role here in its repetitive simplicity and also its insistence which brings a sense of lingering menace
We’re getting near the end of the year now and also the end of the sequence. Still a few more to do, so back to work soon. Until the next time, enjoy the poems and stay safe!
Brian Kirk
Dublin
22nd November 2020
Acknowledgements
Freedom in Constraint is a sequence of formal poems responding to life during the Covid 19 crisis and is made with support from the Arts Council of Ireland / An Comhairle Éalíon’s Covid 19 Response Award.
by Michael Durack (Revival Press 2020, ISBN 978-1-9162593-8-6)
Reviewed by Brian Kirk
Flip Sides is Michael Durack’s second poetry collection, following
2017’s Where It Began. The first impression is made by the striking cover
image which calls to mind the circular centre piece of old 45 rpm vinyl records.
Music, and popular culture in general, is never far from Durack’s range of
vision throughout this collection.
In the poem ‘B-Sides’ he takes us back to the early sixties and the exotic potential of teenage years, “Watching the juke box’s impassive claw / sift through the racks of black vinyl”. This collection sifts through the poet’s back catalogue and chooses to play us the flip sides rather than the usual standards, the general watersheds of passing time. These poems are mainly situated in the Tipperary / Clare area of his childhood and school days but also in the Dublin of his student years. These are memory poems in the main, but Durack always has one eye on the present also. In one of the earliest dated poems, ‘St. Patrick’s Day 1957’, a small poem which deftly conjures a time that is now gone but is still alive in our memory, he says:
“On a stream bank shy primroses
presaging
Spring.
Radio:
the Railway Cups –
Rackard,
Stockwell, Ring.”
After music, sport is the next
greatest unifying factor. Even in poems which appear to have no obvious
association, sport of one kind or another is employed as a metaphor. The
election of Pope John XXIII is described in sporting terms in ‘White Smoke’. Boxing
metaphors are used to good effect in the poem ‘Light Verse’. This poem is very
strong and is also a good indicator of how seriously Durack takes his own work as
a poet. ‘Double Fault’ employs an extended tennis metaphor in describing the
ups and downs of a marriage.
There can be no doubting the importance
of humour in many of these poems. The poet is not afraid to use whatever means
at his disposal to further the impact of a poem, whether that means quoting lines
from songs or other poems or using word play and puns to make a point. His
disregard for those who might warn against such things is taken to a joyous
extreme in ‘Minor Victories’ wherein he employs a stream of cliches which
culminates in “a poem accepted by a magazine, / a night of untroubled sleep.”
There is another side to Durack
also. ‘The Sun Still Rises’ is a thoughful poem which considers the advances
man has made over centuries but also recognises the simple beauty and
reassurance of the natural quotidian. ‘Handiwork’ is a poised and very moving
memory of the poet working alongside his father. It ends with such power and
grace: “Handiwork of long ago: my frail hands at his mercy, / his coarse hands
in my care.” In ‘Branch Line’ he shows us how the actions of the past are still
felt in the present, creating a living history:
“When they took up the rails and the sleepers in 1954
they unstitched the landscape between
Birdhill and Ballina.
The wound has healed with time, leaving
the scar.”
This is a thoroughly enjoyable
collection in which the poet takes pleasure in bringing a smile to readers’
faces. But concealed among the playful word games and extended metaphors are
subtle but powerful moments of philosophical clarity and guileless beauty.
Flip Sides is available to order from Revival Press.
Freedom in Constraint is a sequence of formal poems focusing on the themes of isolation and social distancing and the wider issues and challenges to community and family arising out of the current Covid 19 pandemic.
“Dog Days” is the eighth poem in the sequence. This time we have a Sestina which is a formal poem which uses repeated end of line words over thirty nine lines. These poems can be challenging to write, but are also good for building tension around the subject matter of a poem. The poem was written when we had that brief Indian summer when the kids went back to school, but is reflective of the unseasonably hot weather we had back in April in the early days of adjusting to our new situation.
Once again, the film was made by my good friend Pete McCluskey and he also delivers the poem with perfect pacing. It’s a longer and more wordy piece than some of the recent poems and Pete has added to the rising tension with a soundtrack that hovers and builds behind his voice and by the judicious us of blacked-out screen at intervals which helps the poem as it moves through its narrative.
The aim is to complete the sequence by the end of the year, in the hope I suppose that the new year might bring a move away from these troubles which have assailed us throughout 2020. Until the next time, enjoy the poems and stay safe!
Brian Kirk
Dublin
31st October 2020
Acknowledgements
Freedom in Constraint is a sequence of formal poems responding to life during the Covid 19 crisis and is made with support from the Arts Council of Ireland / An Comhairle Éalíon’s Covid 19 Response Award.
Freedom in Constraint is a sequence of formal poems focusing on the themes of isolation and social distancing and the wider issues and challenges to community and family arising out of the current Covid 19 pandemic.
“Heaven and Earth” is the seventh poem in the sequence. The form this time is Terza Rima and the poem was written very recently when temperatures began to drop and the season’s change became apparent. The cyclical nature of the passing year can often be reassuring, but in this strange year I’ve begun to feel a little unmoored from my usual comfortable havens. Once again, the film was made by my good friend Peter McCluskey and he also reads the poem. Over the course of the sequence you can get a sense of Pete’s ability to approach each new poem with ever more variety in his use of sound and visual image. Also, people are always at the heart of his films, which is as it should be.
We’re well on the way to completing the sequence now, which should run to around fifteen poems. I’m trying to use as many formal types of poetry as possible with the proviso that the form adds something to the theme in each case. I hope I’ve succeeded to some degree so far. Until the next time, enjoy the poems and stay safe!
Brian Kirk,
Dublin
16th October 2020
Acknowledgements
Freedom in Constraint is a sequence of formal poems responding to life during the Covid 19 crisis and is made with support from the Arts Council of Ireland / An Comhairle Éalíon’s Covid 19 Response Award.
This year
Bray Literary Festival, now in its fourth year, will be mainly an online
festival. The exception will be our headline event which will be held on
Thursday 17th September 2020 in the Mermaid Arts Centre in association
with OneCity,OneBook. We are delighted to
present an evening of readings and discussion hosted by Dermot Bolger,
featuring Christine Dwyer Hickey, author of eleven novels including Dublin’s
One City, One Book 2020 choice Tatty and The Narrow Land, winner
of the Walter Scott Award 2020, and
Billy O’Callaghan, author of novels The
Dead House and My
Coney Island Baby and four short story collections, most
recently The Boatman.
Tickets are limited because of
social distancing guidelines so book your ticket now at the Mermaid.
Friday 18th September
is Culture Night and we have a lovely event planned called “Four Poets Walk into a
Bar” featuring Anne Tannam, Mark Ward, Grace Wilentz and Fiona
Bolger. This event will be livestreamed on Culture Night at 7pm. Following this
event there will be the announcement of the winners of this year’s poetry and
fiction competitions and readings of their work.
The Festival continues on Friday
25th September at 7.30pm with the launch of The Music of What Happens, an
anthology of new writing in support of Purple House edited by Festival
Director, Tanya Farrelly.
The Festival continues throughout Saturday 26th and Sunday 27th September with an amazing range of writers and poets reading and talking about their work. Please review the full programme for details. All of these events can be accessed through the Bray Literary Festival YouTube Channel so please subscribe to be sure you don’t miss anything.
I’m personally looking forward to
hosting two events. The first, Singing in the Wild
Dark, sees me chatting with poets Eleanor Hooker, Jess Traynor and Leeanne
Quinn on Saturday 26th September at 2.30pm. These three poets should
not be missed.
My second event is Brave New Words
featuring Alice Lyons, Pat O’Connor and Marianne Lee on Sunday 27th
September at 11.30am. We’ll be discussing new novels and short stories and the
route to publication and much more besides.
All of these events are free to view, but we are more than happy to receive any donations you might want to make towards the future of the festival. I hope you’ll set some time aside to catch some of these extraordinary writers read and discuss their work.
BLF Committee, l to r: Phil Lynch, Ed O’Dwyer, David Butler, Tanya Farrelly (Director), Brian Kirk, Nessa O’Mahony
Freedom in Constraint is a sequence of formal poems focusing on the themes of isolation and social distancing and the wider issues and challenges to community and family arising out of the current Covid 19 pandemic.
“The Mask I Wear” is the sixth poem in the sequence. This poem is a Rondeau and was written about a month ago when the discussion around the wearing of masks began to get very heated with some governments being slower than others in making them compulsory in enclosed public spaces. Once more, the film was made by my good friend Peter McCluskey and he also reads the poem. This time he’s taken a more upbeat approach approach in terms of soundtrack and delivery of the poem. We discussed it and he was very keen to highlight the repetition of rhyme and sounds so that it might meld with the soundtrack to best deliver the circularity of discussion around the ongoing crisis and mask wearing in particular.
The full sequence should run to around fifteen poems, so we are well on the way at this stage. I’m trying to use as many formal types of poetry as possible with the proviso that the form adds something to the theme in each case. I hope I’ve succeeded to some degree so far. Until the next time, enjoy the poems and stay safe!
Brian Kirk,
Dublin
10th August 2020
Acknowledgements
Freedom in Constraint is a sequence of formal poems responding to life during the Covid 19 crisis and is made with support from the Arts Council of Ireland / An Comhairle Éalíon’s Covid 19 Response Award.
Brian Kirk is a poet, short story writer, playwright and novelist from Dublin, Ireland. His work has appeared in the Sunday Tribune, Crannog, The Stony Thursday Book, Revival, Boyne Berries, Wordlegs and various anthologies.
Brian's first poetry collection, After The Fall, is published by Salmon Poetry.
