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The Rising Son Launch 14th December 2015

Reading from The Rising Son

I want to thank every one who came along on Monday night to the launch. I was overwhelmed by the numbers and the support I received from everybody. I am particularly grateful to former Dublin City Arts Officer, Jack Gilligan, who did an excellent job launching the novel for me. Here’s a few photos for those of you who couldn’t make it along on the night. I received loads of texts, emails and supportive messages via social media all week, which is also very much appreciated. The relief is palpable now that the fuss is all over, but I have to say I enjoyed the evening very much.

Here’s me signing the novel for Susan Condon.

There was a great buzz in the room all evening!

Here’s Jack Gilligan doing his thing.

And me again, signing for my brother Ciarán (we never used to look so alike!)

A very happy family at the end of the night!

My thanks also to Pete McCluskey for taking so many wonderful photos on the night and creating a brilliant record of a really important event for me.

Where can I get my hands on a copy, you might ask. Here’s all you need to know.

“The Rising Son” by Brian Kirk is available for purchase now on OriginalWriting.ie, Amazon.com and Amazon.co.uk. For more details of where you can purchase “The Rising Son”, please contact your local bookshop or info@originalwriting.ie.
Also able as an eBook across all platforms, including Amazon Kindle and Kobo.

Copies available at Rathgar Bookshop and Company of Books in Ranelagh. Please contact Brian Kirk for more information: http://briankirkwriter.com/

The Rising Son, a novel

My novel for children, The Rising Son, can now be bought via the Original Writing website. Just follow the link here. The launch date is looming now and the book will be sold at the discounted price of €10 to all attendees. I hope to see you all then. The ebook / kindle version should be available next week via Amazon and I will post all the relevant links as soon as I get them.

There was a very interesting Guardian article about the power of children’s literature and how it forms our adult view of the world. You can read it here. I like to think my novel will be read by many adults also…

 

Novel Plans 4 – Cover

Here it is folks! The invitation and cover image for The Rising Son which will be launched on 14th December 2015 at the Wood Quay Venue, Dublin 8 by Jack Gilligan, former Dublin City Arts Officer and former board member of the Irish Writers’ Centre. My thanks to the National Library of Ireland who gave permission to use the main cover image and to Steven Weekes at Original Writing who did a great job in getting the cover just right. I hope you like it. I look forward to seeing you all there!

Novel Plans 3

Okay, so the cover is taking a bit longer than we expected. It’s about bridging a gap between then, as shown above, and now in a way that might appeal to a modern reader. Despite years of being told otherwise, apparently everybody judges books by their covers.

So in the meantime I thought I’d introduce you to some of the main characters in The Rising Son. Here follows the opening chapter. I hope you enjoy it and that it whets your appetite for what is still to come.

 

Chapter 1

 On the second night in his grandfather’s house it all began. He was alone on a dark street, lit by occasional dim streetlights. There was a peculiar smell in the grey air, one that he could not name. In fact there was a mixture of smells; bad smells like the stench of farmyards for one, but many more besides. He was surprised to find that he was not afraid to be alone on this alien street. Part of him hoped that this was just a dream, but it felt more real than any dream he’d ever had before.

The street was empty, but in the distance he could hear a noise he thought might be thunder, or heavy barrels being rolled across cobblestones. He had the sense that the day had been hot, but now he felt the cool night air against his face and for a moment he thought of home. But it was just a word. He recognised the word, but he couldn’t attach a place or memory to it in his mind. In fact he couldn’t say where he was from, and in the same breath he realised he did not have a name. But once again the terror he should have felt at that moment was absent. In fact, he was barely there himself.

At the far end of the street he saw a figure approaching. It was a boy, roughly his own age. Jack was puzzled by the boy’s bare feet and strange clothing; knee-length trousers, an old dark jacket that was too big for him, a cap and scarf. The year before his mother had taken him to see a production of Oliver in the West End, and as he watched the boy, he thought of boys his own age acting the roles of Victorian child-villains.

‘Howya! Are ye lost?’

He was so surprised when the boy spoke, he did not answer for a few moments. It was as if he was watching a play, not from the stalls as you normally would, but from the stage itself. But now the boy had burst the magic bubble; he had spoken to a member of the audience and the illusion was shattered.

‘I’m… I suppose I am.’

The boy frowned.

‘Are you English?’

‘Yes, I mean, no – I suppose I’m Irish and English.’

‘You can’t be both these days – it’s one or the other. Come along with me and I’ll bring you where you’re going. Where do you live?’

‘I live with my grandfather, Michael O’Connor. It’s number 52 Haroldville Avenue.’

‘Shur that’s only round the corner, I’ll bring you there now. I’m Willie by the way.’

‘Jack.’

His name came to him as if from a great distance and it comforted him that he had a name again, and that he had a new friend too. They shook hands formally like old men.

‘Come on,’ Willie said.

They set off walking, their footsteps echoing on the empty street.

‘You must a left home in an awful hurry.’

‘What do you mean?’ Jack asked.

‘Them clothes a yours. You must be frozen.’

Jack looked down and saw that he was wearing only a t-shirt and light pyjama trousers with slippers on his feet.

‘Them shoes a yours look awful cosy but.’

‘They are,’ Jack said because he could think of nothing else to say to this strange boy.

They rounded the corner and Jack realised that they were now on his grandfather’s street, but it looked different somehow. Perhaps it was just the darkness; the streetlights gave off so little light and there were no lights on in any of the neighbours’ windows.

Suddenly there was a scattering of shouts at one end of the street and then a deafening high-pitched sound that seemed to echo off the fronts of the terraced houses – a kind of shrill singing or zinging. The air was filled with a new smell now. It was smoke. Jack recognised it straight away because he’d walked past the remnants of a burnt out house with his stepfather on their way to see Arsenal play one Saturday. Both boys threw themselves on the ground instinctively and whatever light there was had now been extinguished. Jack reached out a hand to feel for Willie but felt only the damp cold stone of the road. He shut his eyes tight and opened them again, but there was only darkness. He heard heavy boots running, coming closer, a momentary pause and then more gunfire. He screamed.

He woke in a sweat. The bedclothes were on the floor and he was wrapped only in an old tartan blanket he’d found on top of the wardrobe the night before when he was cold and couldn’t get to sleep. The room smelled of must and damp. There was another smell mixed in there too, he thought it could be smoke. He tried to open the window to let in some air but it was useless; it was painted shut – had been for years. Everything about this house was old and stuffy and reeked of the past.

The day before Jack’s grandfather had taken him into town for a treat. Since his mother had abandoned him he had been quiet and surly. On the way home they rode the tram along the quays until they came to the museum where they walked around the exhibits, and all the while his grandfather provided a constant commentary.

‘You must always remember Jack, that you are an Irish man. You may have been born in London and lived all your twelve years there, but you are as Irish as I am.’

Everything in the museum was old. That’s the way it was with museums – he knew this from trips with his mother to the British Museum and Natural History Museum. But it wasn’t just the museum; the whole city of Dublin seemed old to Jack – compared to London it was tired and small and enclosed, and the grey sky seemed to press down on the rooftops, trapping him, stopping him from being where he wanted to be, in London with his mother and his friends.

His Grandfather showed him the uniforms worn by British and Irish soldiers over the years, sometimes taking the time to read aloud from the information provided on panels beside the exhibits.

‘This is where we all come from Jack. It’s our history. Do you see?’ Grandad looked at the boy.

He was wasting his breath, Jack thought. There was no point to this. It was all in the past. That’s what history was – even he knew that. The past was no good to him. At best it was a distraction from the present. It was the future that worried Jack.

When he thought about the future he could feel his heartbeat race inside his chest and his head would grow light. His mother told him it was just a holiday, that she would be back to get him in a couple of weeks. She had some things to see to, that was all. He was a child, but he was not a fool. She was trying to patch things up with Matt, he knew that. His stepfather had left them a month before. For weeks before that Jack had stood on the landing at night and listened to them arguing. He didn’t know what the cause of their arguments was but he assumed, as children do, that it was his fault. Perhaps Matt didn’t want him; he wanted a boy of his own – he had said that before – but that was never going to happen, Mum said.

Matt wasn’t bad. He had always been good to Jack, and Jack had no expectation of him beyond the things he did for him. He took him to football or cricket practise, he made fried breakfasts on Saturdays and brought him to the Emirates Stadium to see Arsenal play; he called him mate and bought him ice-creams and football magazines. Jack was happy enough with that. But Matt wanted more – that was why he had said on one of those nights when they argued just before he moved out:

‘I want a child of my own, Kate – what’s so wrong with that?’

Jack took deep breaths and put his hand against his heart to feel the pulse quicken as he listened from the landing above.

Was Matt more important to his mother than he was? That was the question he was trying not to ask himself since he came here. When she said goodbye to him she hurried out the door. Her taxi was waiting, and she had a plane to catch. And when she was gone he looked at this old man, this stranger – his grandfather supposedly – and sensed that the old man was looking back at him and thinking the exact same thing.

His mother spoiled him. She indulged him. He came first, he always had done and Jack had grown accustomed to that. Something had changed somehow, but she was not about to tell him what that was or maybe she felt he was too young to understand. But he was not too young. In the absence of hard facts he feared the worst. Perhaps she didn’t want him anymore.

Now as they stood before an original copy of the Proclamation of the Irish Republic, Jack tried to listen to his grandfather’s commentary, but it was useless. He was thinking about his mother, and about Matt, and what they might be saying at that very moment to each other about him.

‘Is Matt Irish, Grandad?’

‘No, Jack, he’s English.’

‘Is that why he and Mum can’t be together?’

Grandad laughed briefly, but stopped when he noticed Jack’s frowning face.

‘No. No. That has nothing to do with anything. Sometimes people disagree over things. It’s complicated, that’s all. You’ll understand when you’re older.’

The old man placed his hand gently on Jack’s head and ruffled his unruly dark hair. Why did everyone treat him like a baby?

 

 

 

Novel Plans 2

Does this make you think of Scotland? Yes? I thought so. A tartan blanket figures prominently in my 1916/2016 novel and this was an idea I had for an eye-catching cover. I think I’ll have to think again.

The proofing of the novel is now complete and I signed a contract with Original Writing on Friday last. I chose to use them because I don’t have the time to do it all myself and, having met with them, I am convinced by their professionalism and understanding of what I’m trying to achieve. I’m hoping to have the novel ready for late November / early December so there’s not much time to waste. The working title throughout has been Rising but, on advice, I’m changing it to The Rising Son.

As part of the package with Original Writing, The Rising Son will be availble as an e-book also in all formats. More about that later on. For the moment I must go back to my “To Do” list: agree cover design and image, write up acknowledgements, prepare blurb for cover, bio, arrange venue for launch/launches, plan a sales strategy of some sort etc etc. I’m sure it will all work out in the end (he said, hopefully). Once the product is good enough, the rest of this stuff becomes easier I believe.

I’ll leave you for now with a draft of the blurb for The Rising Son, a version of which will eventually appear on the back cover (whatever that cover might be).

One boy. Two worlds.

It’s 2016 and Jack O’Connor, a twelve-year-old London boy, is confused. He is left in the care of a grandfather he never met in a city he doesn’t know by his mother who wants to be left alone. While in Dublin, in his grandfather’s house, Jack is drawn to an old blanket. The blanket belonged to his late grandmother and seems to have magic powers.

It is the week of the centenary of the 1916 Rising and Jack’s grandfather sets out to teach him some history. In doing so he awakens in Jack a sense of his Irish identity. Thanks to the magic of the blanket Jack gets to see the events of the Rising first-hand and, at the same time, he uncovers the truth about his own family, past and present.

 

 

 

Red Line Haiku


This is my poem film Red Line Haiku which was commissioned by South Dublin Libraries as part of the Red Line Book Festival 2015. The film was shown at the Civic Theatre Tallaght on Wednesday 14th October and Thursday 15th October as part of the festival.

The film maker was Bao Zhu, a student at Ballyfermot College of Futher Education and we filmed in September 2015. My thanks to Bao who did an excellent job!

Please view and share as freely as you like.

 

The Lion Tamer Dreams of Office Work – Launch 20th October 2015

The launch of The Lion Tamer Dreams of Office Work takes place on Tuesday 20th October 2015 at the Teachers Club on Parnell Square at 7pm. This is the first anthology by the members of the Hibernian Poetry Group and it will be launched by Macdara Woods, editor of Cyphers. The group was formed back in 2010 following a Faber and Faber workshop and I joined in September 2013. In the past I was never one for joining groups, but over the last two years I’ve tried to attend as many of the monthly meetings as possible.

The obvious advantage to being in a group is the motivation to create new work on a regular basis. A group that has quality poets also makes you push yourself that little bit further before you submit your poem for discussion each month. Nobody wants to be an ugly duckling among swans, that’s only natural. But there’s so much more to be gained from the group dynamic. You learn to talk about your work and that of others, and that in itself is a whole new skill. Saying you like or dislike something is not enough; you must be able to tease out verbally the roots of your concern or admiration. This is a really important aptitude for every poet or writer. 

The feedback on your own work would seem to be the single greatest benefit to the poet, but not so. The real gain I’ve found is in the rigorous interrogation of other people’s work. The learned habit of scrutinising poems objectively is carried into the process of creating your own poems and this, for me, has been the real measure of development in my own work.

There are twenty three poets in the anthology and each poet has three poems featured. Just have a look at the list of names of contributors and you’ll get an idea of the quality of work to expect. Please come along on the 20th October, listen to the poems, have a drink and buy the book. I’m sure you won’t regret it.

MARK BAKER • GERALDINE CLARKSON • KEVIN CONROY • EVAN COSTIGAN • SINÉAD COTTER • PHILIP CUMMINS • MAURICE DEVITT • KIERAN FUREY • DONAL GORDON • ELEANOR HOOKER • BRIAN KIRK • SUSAN LINDSAY • PATRICK MADDOCK • MYRA MCAULIFFE • AFRIC MCGLINCHEY • GILES NEWINGTON • BARBARA O’SHEA • MAEVE O’SULLIVAN • LEEANNE QUINN • JANE ROBINSON • JOHN SAUNDERS • ANNETTE SKADE • BREDA WALL RYAN

 

Novel Plans

It’s been a while since I blogged and I always feel guilty for not blogging more often. My main excuse is the summer and work, and generally not having enough time on my hands, which is partially true. This summer my main writing projects were: 1. revising my first collection of poetry, After The Fall (almost there), 2. a novella (finished), 3. writing some new poems and one new story, and finally, 4. a review of my now completed novel for 9 to 12 year olds, Rising.

I was lucky enough to get an Arts Council Bursary while writing the novel in 2014 and (to use entertainment industry parlance) I was very excited about it. The novel was more or less completed early this year and I started approaching publishers last year to gauge their interest. Writer friends who read the script were very positive about it and even my daughter Martha, who is my sternest critic, was delighted with the book. To be honest I wrote the book with Martha and my son Ciarán in mind (they were thirteen and ten last year when I was working on the book). Many times they have exhorted me to “write something funny!”, and while Rising isn’t funny, it does appeal to them in a way that meets their approval.

Anyway, to be brief, the response from publishers was disappointing. One or two liked the idea or the sample chapters but could not commit themselves to publishing; others just simply said no thanks and one didn’t reply at all, despite numerous attempts to elicit a response. Publishers, just say no, for God’s sake, if you don’t want to publish – writers are people too, you know!

Anyway, my novel is set in 1916 and 2016 and I knew from the outset that there would be a best before date if it didn’t get published before the centenary of the Rising next year. So this summer I made the decision to self publish the book. Without wanting to sound snobbish, I have consistently argued (with myself) against self-publishing – and I still feel that it’s not generally a preferable substitute to being published by a reputable publishing house which has expertise in all the areas of publication including design, layout, distribution and marketing. I have no wish to set up a cottage industry. I just want to write. But in this particular case I feel I have no option other than to self-publish and be damned!

Over the course of the next few weeks and months I intend to blog regularly about the process of self-publishing and at the same time, hopefully, whet your appetite for a book that will bring history alive for kids in a slightly different way.

Until the next time here’s a very short extract to get things started.

 

Jack took the tartan blanket from the top of the wardrobe.

                ‘It’s a blanket – so what?’ Peadar said, disappointed.

               ‘Not just any blanket,’ Jack said. ‘It belonged to my grandmother.’

               ‘Sure we have blankets like that at home too,’ Peadar said.

               ‘Not like this one, you don’t.’ Jack smiled at his friend.

               ‘So what’s so special about it?’ Peadar asked, reaching out and touching the corner of it.

              ‘It’s magic, Peadar.’

 

June Over The Edge Writers’ Gathering in Galway City Library

I was delighted to be invited to read some poems at next week’s Over The Edge readings in Galway City Library by Kevin Higgins and Susan Millar DuMars. It’s a special showcase for Skylight 47 which has grown in stature very quickly since coming on the scene last year. The current issue, Issue 5, is a belter and I’m currently reading and re-reading it. Some great poetry but also an interview with Louis De Paor  and a review of Alan Jude Moore’s Zinger by Alan McMonagle, and a poetry workshop with Helen Mort and art work also. Great to see fellow  Hibernian poets Amanda Bell, John Saunders and Maurice Devitt in there with me. Also poems by Kate Dempsey, Breda Spaight, Alan Weadick, Ruth Quinlan and much, much more. You should get your hands on a copy fast. And if you’re near Galway next Thursday please come along!

 

Writers’ Retreat

Poet, writer, broadcaster and teacher, Colm Keegan is running some writer retreats this July in the Wicklow Mountains. It’s a great opportunity to step back from the bustle of the quotidian and maybe get to grips with a new writing project or simply use it as an opportunity to get one to one feedback from an experienced writer and teacher in a relaxed atmosphere. The numbers are limited to eight for each weekend so you are sure to get plenty of mentoring – no hiding places, which is what you want from a retreat like this.

All the details on the Kingfisher Writers’ Retreat – dates, costs etc can be had from Colm’s website or you can contact him at colmkeeganpoetry@gmail.com . So give yourself a break this July and buy yourself the time for some intensive writing among peers in a supportive and relaxing atmospehere.