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Jack Kerouac – Life and Fiction

 

Interesting article in the Telegraph regarding the recent publication of a long lost Kerouac novel. Pity about the two basic errors in the short piece, but leaving that aside I was prompted to think about Kerouac for the first time in a long long time.

When I was in my late teens Kerouac was the writer for me. I read everything I could lay my hands on by him at the time and was heavily influenced (not always in a good way) by the way he approached prose writing. I was mainly writing poetry at the time, and in much the same way that punk rock encouraged anyone and everyone to write songs, so did Kerouac’s novels encourage me to try to write a novel at the age of twenty. I still have it somewhere and haven’t looked at it in years. I was blatantly using his novella The Subterraneans as the model for my effort, but I was also guided by the peculiar precept that it had to be true. Kerouac claimed that everything that happened in his books actually did really happen to him, and a lot of it can be verified by third parties. But is it fiction then? And just because it’s technically true does it mean it’s a better story?

At the time I was caught up in the idealism, honesty and freedom of the writing. I didn’t really consider things like character or story or premise simply because I had never heard them discussed. I loved the way he told a story, as if you were one of his buddies and he was filling you in over a few beers. I thought that if I could lead an interesting enough life I could maybe be a great writer. That’s youth for you.

Kerouac had issues also, as they say. He remained a committed Catholic throughout his life despite the drugs and the drink and the bohemian lifestyle. And he also had a mother who outlived him; a mother who appears at the edges of his peripheral vision in most of the books; she is a safe harbour at the end of each wild trip on the road. He comes across as a little lost boy sometimes, wanting to feel safe, to escape the same crazy world he helped quicken into life.

In his last book Vanity of Duluoz, a kind of summing up of his early years and how things have changed, published the year before he died in 1969, he tries to find a place for himself in an America he no longer recognises. He was never going to be the darling of the hippies the way Ginsberg was. He was way too conservative, too Catholic.

This from the man who only fifteen years earlier placed the automobile at the centre of the world’s understanding of modern America:

“Nowadays, tell me, what is this slouching stroll people have? Is it because they’re used to walking across parking-lots only? Has the automobile filled them with such vanity that they walk like a bunch of lounging hoodlums to no destination in particular?

         Autumn nights in Massachusetts before the war you’d always see a guy going home for supper with his fists buried deep in the sidepockets of his jacket, whistling and striding along in his own thoughts, not even looking at anybody else on the sidewalk and after supper you’d always see the same guy rushing out the same way, headed for the corner candy store or to see Joe, or to a movie or to a poolroom or the deadman’s shift in the mills or to see his girl. You no longer see this in America, not only because everybody drives a car and goes with stupid erect head guiding the idiot machine through the pitfalls and penalties of traffic, but because nowadays no one walks with unconcern, head down, whistling; everybody looks at everybody else on the sidewalk with guilt and worse than that, curiosity and faked concern, in some cases ‘hip’ regard based on ‘Don’t miss a thing’, while in those days there even used to be movies of Wallace Beery turning over in bed on a rainy morning and saying: ‘Aw gee, I’m going back to sleep, I aint gonna miss anything anyway.’ And he never missed a thing.”

We all get older and we change. Sometimes we’re embarrassed when we think about some of the things we did or wrote when we were young, but we shouldn’t be. It’s what’s made us what we are today, like it or not. I have a lot to thank Jack for I know. I’ll leave you with that famous clip of him reading on the Steve Allen show – I bought a copy of this on tape in Camden Market in 1986. I still have it somewhere, hidden away with that draft novel by a 20 year old I hardly recognise anymore.

http://www.youtube.com/watch?v=QzCF6hgEfto

 

 

 

 

E-Publishing seminar at Clondalkin Library 7/12/2011

Talk by Gemma Phelan

 Founder of www.publishmybook.ie

“Epublishing, the Way Forward”.

In response to the changes taking place in the E-publishing market www.publishmybook.ie was founded in 2010. Offering writers the opportunity to publish online, the PublishMyBook Team are now supporting writers throughout the country. From editing to e-cover design and uploading to the marketing process, we are delighted to be helping writers realise their dream in having their book published.

On December 7th, Gemma will be discussing the trends in the publishing market and the opportunities that are now available to writers. She will also be explaining how writers can engage with these changes in order to ensure the best publishing opportunities for their book.

Areas covered in talk ;

  • How the Epublishing Revolution is changing publishing forever.
  • Current Epublishing trends.
  • How writers can engage with Epublishing in order to ensure the best opportunities for their book.
  • Looking forward to further changes and even greater opportunities for writers.

It’s on  Wednesday 7th December at 6.30pm in Clondalkin Library

With the way the book publishing industry has stagnated in recent years it is no wonder more and more people are pursuing e-publishing as a method of bringing their work to the market. If I’m honest, as a novelist looking for a book deal, I have often considered it, but not in a meaningful way. Hopefully this seminar will give me an opportunity to find out more and explore my reluctance to contemplate going down any other publishing route but the traditional author/publishing house model. We’ll see… 

 

Claire Keegan at Readers’ Day 2011

I only made it along for the second half of Readers’ Day 2011 at the Maldron Hotel in Tallaght on Saturday, but I reckon I was there for the high light.  Claire Keegan read wonderfully from her Davy Byrne Award winning story Foster. She read with feeling but without fuss or show, letting the words and the dialogue speak for itself.  I would have been happy if she had read the whole thing, but alas she didn’t.

After the reading she was asked by Dermot Bolger about the manner in which she approached stories and how she knows when they are finished. She was a very thoughtful and honest interviewee, pausing to consider the questions before tentatively answering, wanting to be sure she was to the point and succinct. This attention to detail comes across in her work; no word is left as filler or padding that doesn’t need to be there. She had no difficulty admitting that the hardest part of her job as a writer was the weeding out of the extraneous. One other thing that struck me was her mention of the requirement for patience as a writer. The real work begins, she said, when the subject has to be returned to time and time again. This is the kind of thing I like to hear right now, up to my ears as I am in re-reading and editing a novel that’s been knocking around for a while. Bottom line is, I have my appetite back again for the work. Thanks Claire!

And thanks also to South Dublin Libraries who ran another brilliant Readers’ Day on Saturday!

Readers’ Day 2011 South Dublin Libraries

Joining Dermot Bolger this year at the South Dublin Libraries’ Readers’ Day on Saturday 12th November at the Maldron Hotel in Tallaght will be Sebastian Barry, David McWilliams, Gerard Stembridge, Claire Keegan, Eoin McNamee & Keith Donald and Anna May Mangan. So it promises to be a good one. Take a look at the brochure to find out more about the day and all of the authors.

I was lucky enough to read at Readers’ Day on a couple of occasions in recent years and it always proves to be a thoroughly enjoyable and informative day. Dermot has a great facility for bringing out the best in his guests. Looking forward to hearing Claire Keegan in particular. Hope to see you there.

 

 

Francis Mac Manus Award 2012

It’s running a bit late this year but RTE Radio One have just announced the details of the 2012 Francis MacManus Award for a short story for radio. Some great writers have won or been shortlisted in this competition over the years, and what’s more it’s free to enter.

The judges this year are Brendan Barrington of Penguin Ireland and the Dublin Review, John MacKenna, and Éilis Ní Dhuibhne.

Only one entry per writer allowed and all the details and entry form are here.

So get going now. The closing date is 20th January 2012. Winners will be announced in June 2012.

 

 

 

Tallaght Library Reading No.4 – 7/11/2011

 

Next Monday 7th November  sees the fourth in a series of six of readings in Tallaght Library by emerging local writers. The event is hosted again by award winning local author Eileen Casey. Proceedings kick off at 7pm.

Next Monday’s readers are Tom Hanrahan, Mervyn Ennis, Susan Condon and Eithne Cavanagh. Susan was recently a featured author in the Echo Newspaper here. Good on ya Susan!

Author Bios

As Tom Hanrahan’s career life draws to a close, he feels filled with hope, gratitude and anticipation for tasting the good wine served last. His writing history began when he was encouraged to write many years ago by a compassionate soul.

Mervyn Ennis was born in Tallaght in 1950. Mervyn has had his poetry recognised in Irish and British awards and in Irish, British, Italian, and Australian publications.  His collection of short stories Once upon a time in Tallaght is his first venture into prose.  Mervyn Lives in Saggart.

Susan Condon  was awarded first prize in the 2010 SCC, Short Story Competition, with ‘The Visit’.  Her short story, ‘Cinderella’s Smile,’ was published in Senior Times 2011. Susan is a member of Platform One, Rua Red and is currently working on her first novel – a psychological thriller.

Eithne Cavanagh’s two books of poetry Bone and Petals and An Elegance of Gannets were published by Swan Press.  She has received several awards for poetry including the Boyle Prize and the Moore Literary Medallion.  Eithne lives inDublin.

 

Looks like a great line up! Hope to see you there.

 

 

Brownbread Mixtape

Had a great night at the Brownbread Mixtape on Wednesday evening. I read my story Disenchantment to a full and amazingly attentive house. It was a great experience. There was also cool music from Tom Cooney and Enda Reilly and great poetry from Stephen James Smith, plus some hilarious sketches from the Brownbread Players. Mid way through the evening we were treated to a showing of the new video by Enda and Stephen, their take on Yeats’ September 1913, taken from their EP Arise and Go. Check it out below.

 

 

Congratulations to Kalle Ryan and Enda Roche on another high quality night of art and craic!

 

 

Brownbread Mixtape 26/10/11 “Halloween”

I’m delighted to be part of next week’s Brownbread Mixtape at the Stag’s Head. It’s a Halloween theme and I’ll be reading my appropriately gothic short story Disenchanted. As usual there’ll be loads of top quality music, poetry and comedy – so expect another great night.  Oh, and it’s also streamed live on the internet, so there’s no excuse not to be a part of it.

All the details you need are here.

The Brownbread Mixtape is the premier music, spoken word, comedy and performance event in Dublin city and is run by the inimitable Kalle Ryan and Enda Roche. Don’t miss it.

 

Peregrine Readings Irish Writers’ Centre

I attended the Peregrine Readings at the Irish Writers’ Centre last night.  The readings are sponsored by the Arts Council under their Touring and Dissemination Scheme. The readers were Thomas Kilroy, Evelyn Conlon and James Lawless.  You can read more about each of them here.

All readers were received warmly and took the time at the end to answer questions and chat over a glass of wine or two.  Thomas Kilroy read from a work-in-progress memoir set around his native town of Callan in Co. Kilkenny, where he grew up the son of a Garda Sergeant among a large family.  I was reminded in parts of George O’Brien’s brilliant memoir of growing up in Lismore in Waterford, The Village of Longing, which I read for the first time only recently.  Evelyn Conlon read a short story about a man in retirement which bristled with the peculiar awkwardness of leaving behind a working life and yet was very moving, and James Lawless read extracts from two of his novels to great effect.  The first from Peeling Oranges (2007) and the second from The Avenue (2010).

These writers now take to the road with readings in Sligo and Longford on 19th and 2oth October, but there will be other readings from other writers throughout October and November as part of the series.  Details here.

Day with a Dramaturge

 

I spent all day Saturday at RTE Radio Centre in the company of the other shortlistees in the 2011 PJ O’Connor Awards for Radio Drama.  It was great to meet up with the others and exchange ideas about how we do our work. The workshop was organised by the RTE Drama Production team of Aidan Mathews, Kevin Reynolds and Kevin Brew, and the day was facilitated and led by Jesper Bergman, Dramaturge of the Royal Theatre Denmark and permanent judge of the PJ O’Connor Awards.

To be honest I wasn’t really sure what a dramaturge was, but after a day of immersion in the techniques and practises of radio drama and having had detailed discussions on the approaches to creating drama for radio I think I have some idea. Jesper, for me, was like a therapist or analyst who interrogated the work, forcing the writer to crystallize his or her ideas about their play – what it is and what it isn’t. I certainly came away with fresh approaches on  how I can rework a short play I have already written. I can see now that I haven’t been completely honest in how I let the story develop.  I am now prepared to go back to it and let the play’s own logic emerge truly and run its course, and then let’s see what happens.

I’m really surprised by how energised I feel about the prospect of revisiting the play. I’m still not exactly sure what a dramaturge does, but in this case it seems to have worked.

Thanks to the team at RTE Radio Drama for inviting us in. You can listen to the winning plays and a host of other radio plays here on the RTE archive.